{"version":"1.0","provider_name":"L\u2019humanitaire dans tous ses \u00e9tats","provider_url":"https:\/\/blogs.icrc.org\/hdtse","author_name":"fjoli","author_url":"https:\/\/blogs.icrc.org\/hdtse\/author\/fjoli\/","title":"RDC : quand le slam d\u00e9nonce les violences sexuelles","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"jz1kLeJcg4\"><a href=\"https:\/\/blogs.icrc.org\/hdtse\/2021\/12\/13\/rdc-quand-le-slam-denonce-les-violences-sexuelles\/\">RDC : quand le slam d\u00e9nonce les violences sexuelles<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/blogs.icrc.org\/hdtse\/2021\/12\/13\/rdc-quand-le-slam-denonce-les-violences-sexuelles\/embed\/#?secret=jz1kLeJcg4\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0RDC : quand le slam d\u00e9nonce les violences sexuelles\u00a0\u00bb &#8212; L\u2019humanitaire dans tous ses \u00e9tats\" data-secret=\"jz1kLeJcg4\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/blogs.icrc.org\/hdtse\/wp-content\/uploads\/sites\/113\/2021\/12\/GSS.jpg","thumbnail_width":836,"thumbnail_height":496,"description":"A Goma, capitale du Nord Kivu \u00e0 l&rsquo;est de la R\u00e9publique d\u00e9mocratique du Congo (RDC), on slame. Po\u00e9sie \u00e0 voix nue qui claque et se d\u00e9clame. La sc\u00e8ne congolaise a, en presque 20 ans, fait du slam un medium influent pour artistes aux textes engag\u00e9s. Au sein du collectif \u00ab Goma Slam Session \u00bb, Francisca..."}